But in regards to the Michael Vs. Laurie aspect alone, not the overall family in general, we’ve had nearly half the series not involve her and while a lot of those movies didn’t do well, it was for other reasons outside of just not having Laurie in the picture. If they truly cared for Laurie by H4, they would have easily recasted the role. It’s good then they were able to move on without her.
This is why FANS need to be running things. Not people who just care about what’s profitable. There’s plenty of avenues and angles you can take that can still work. It’s attitudes like this that is why Resurrection turned out the way it did. I didn’t mind the internet thing and the setting in the Myers house, but Michael’s RETURN? Yeah, that was a streeeeeeetch beyond stretched. That movie certainly should have continued with a new killer, maybe even Laurie or John.
It wasn’t just so much Michael not being in the movie, but the continuity was also different. It didn’t follow the other two AT ALL. I think if the movie was still in continuity and featured a couple of returning characters like Laurie at least, it could have been better accepted. The problem is, you’re watching a movie called HALLOWEEN III that has NOTHING to do with the other movies, no characters, no plot points, nothing but some cameo appearances of the original movie itself on TV and a few returning actors in different roles: Nancy Kyes as Mrs. Challis, Dick Warlock as a robot, and Jamie Lee as the curfew announcer. Sorry, but that’s lame as hell. If Carpenter wanted to do an anthology route, he should have done that starting with the sequel. You don’t make a direct continuation and expand more on the lore of the original and then want to shift gears entirely. Friday the 13th killed off Jason in Part 4 and with 5, they continued on with a fresh direction but still in continuity with the others and a returning character as center focus. That is how you make a transition.
Well given how movie theaters seem to be dying out with the streaming services and mainly thanks to the corona virus now and seeing how well technology is these days that even amateur people can make quality films on their phones and the independent route being more accessible and accomplishing, Hollywood’s days are gonna be numbered that they’re gonna be left just making TV shows. Worrying out making money and what’s gonna be appealing is exactly why many of these films suffer quality wise and flop. H6 and H:R could have been two of the best sequels in the series, their original versions were a lot better, and their T-Cuts were reduced to straight up trash because Dimension wanted more gore, more Busta (like WTF???), a shorter run time, jump scares, etc. and all they did was hurt the movies. It’s pitiful.
He’s hindered at something HE started? That’s redundant. But he should have suck it up. He choose not to stick around past H3 and let Akkad and company do as they please so he has no room to talk. What’s done is done and the sibling angle is not bad of a motive. So Michael wanted to kill his sisters. Even in H2 it’s not like we knew WHY. All John did was provide a common link between Michael and Laurie and nothing else. There was still a lot we didn’t know about Michael and why he was this “boogeyman”. Jamie Lloyd only happened because Laurie wasn’t included as JLC didn’t want to be involved. So had JLC stuck on, H4 would have been different, but expanding the family thing isn’t a problem. How many other killer characters do we have out there killing random people? LOTS. Let Michael be different. Be happy he still kills at random on the side while pursuing his main targets. There’s like a balance here, so be balanced and accepting of it.
Says who? People just can’t adapt to story expansion because they’re losers. I’ve seen many horror movies where a villain’s backstory is explained up front and they’re still scary. It’s not always about making things a mystery it’s sometimes about the tone and atmosphere as well. And not all the time, you don’t need to be a mystery to be scary and over time and many sequels in, it’s time to flesh out backstory. It is what it is. That mystery crap works out at first, but not in the long run so the writers did what they had to do. Coming up with a MM origin and backstory is easy and accomplishable, but if the execution of it is poor, then you have a problem. But the idea can still be good and I found Thorn to be a gem. But if you’re gonna be hell bent over the idea of a backstory, then you’re not gonna be accepting to any idea even if it was out of this world good because at the end of the day it kills your little mystery angle. Well LIGHTEN UP.
Don’t worry, those films don’t like you neither. You’re a despicable person given too much life to hate and it’s disgusting.
And you’re disappointing. It’s an unoriginal rehash late-as-hell attempt to be a true sequel, but it’s not. It’s gonna take more than a sour retcon, JLC, John Carpenter’s music (rather crappy this time), and the title being the same (which is actually lame) to have this be a “close” sequel you can call worthy of following the original. This took the original and turned it 180 degrees south. What was an original, goreless, character driven, and simple story of a regular daily life with some mystery turned into an unoriginal, gory, too-many characters, bloated story with too many twists and turns in a short runtime not even to flesh and develop it all out. This movie does not deserve ANYONE’S respect. You’re letting the nostalgia of it get to you and it’s sad. I will not let it get to me. Sorry. I find H20 to be more credible than this as much as I hate that movie for it’s own retcon but at least it actually kept in tone of the original in terms of plot, simplicity, and gore and can at least keep ONE sequel in continuity.